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The Curious Art and Objets of a Post-Modern Prodigy

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Miles Gertler’s new show Rare Item combines the regular and the obtuse in intriguing forms

They look like buildings, but the spaces are not inhabitable. There is a semblance of life, but it’s not of the human kind — tropical flora and fauna nestled within meticulously arranged compositions of abstract objects, from pipes and ropes to benches and ladders. Scenario City is a new series of prints by Miles Gertler, part of his solo exhibition Rare Item at Corkin Gallery. The 27-year-old artist layers his work densely, drawing from his architecture practice, while adding a hopeful levity and occasional satire. The sectional view of the units would seem ominous, if not for the humorous fact that flamingos have decided to take up residence in the vertical city.

Architecture Meets Playful Symbolism

Gertler acquired his fascination with super-structures while he was studying architecture at Princeton University, where he explored death and daily city life through built environments. This investigation continues in his architectural practice, Common Accounts, of which he is co-director with Spanish architect Igor Bragado. His art embodies the same ideas, but the execution is much more visceral. Gertler, who creates the two-dimensional prints digitally, has recently added three-dimensional resin objects to the mix. “They’re design objects that flirt with use and uselessness,” says Gertler. “They don’t all perform a function, and so in that sense I’m interested in them as instant heirlooms.”

In contrast to the moody prints, the objects are joyful in their pastel palette, catalogued on wooden crates, or as he calls them, arks. “The biblical concept of the ark is basically this architectural superstructure that plays host to a collapsed set of territorial parts,” explains Gertler. Among the curious elements making up these arks is a simplified toy-like crown. “Its value is totally in its image and its symbolic power,” he says. Like the generic buildings, the crown is insignificant as a form beyond its symbolism without someone to wear it. Who that could be is left to the imagination.

Rare Item is on view at Corkin Gallery, 7 Tank House Ln, until July 30.

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The industrial designer and textile artist shares the inspirations that keep her loom whirring

In a seaside cottage in Shediac, New Brunswick, the soft hiss and swish of high-tide molds my mood like putty. Breathing in the deep calm—and the smell of last night’s seafood—my mind is miles away from my home in cosmopolitan Toronto. Here, craft feels as grounded as the clams they dig for each morning, and as I prepare for my call with textile artist Laura Carwardine, I can’t help but wonder *Carrie Bradshaw voice* what is the future of textile art in Toronto?

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